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Sample: Title; rating (out of 4); principal
setting; year of release; international co-producer (if any); cast; description;
scriptwriter; director; content warning; running time.
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(1999-2002) (/France/U.S.A.) * * Tia Carrere ("Sydney Fox"), Christen Anholt ("Nigil Bailey"), Lindy Booth ("Claudia") (-2nd), Tanja Reichert ("Karen") (3rd).....Light-hearted adventure about a two-fisted American professor of archaeology (American actress Carrere) who travels around the world to exotic locations (but since this is a Canada-France co-production, "exotic" usually means somewhere in the United States) tracking down lost artifacts from Buddha's rice bowl to more contemporary (and prosaic) things like Elvis' guitar, or John Dillinger's gun, usually encountering no-goodniks along the way. British actor Anholt plays her affable, but inexperienced assistant. Booth played her flaky secretary, followed by Reichart as a slightly less flaky (though even more curvaceous) secretary. Naturally, since this is a Canada-France co-production, none of the regular characters are supposed to be Canadian (or French for that matter) though Booth and Reichert are Canadian actors. After the success of "Raiders of the Lost Ark", TV tried imitations like "Tales of the Gold Monkey" and "Bring 'em Back Alive"...series that failed, in part, because TV budgets couldn't procure the necessary sets and stunts to do a globe-hopping adventure. It's twenty years later, with computer graphics and new technologies available, and -- guess what? -- they still can't get it right! It's haard to evaluate this series, though, because it's hard to figure out even what it wants to be. Initially it does seem like a poor man's "Raiders of the Lost Ark", mired in dull, slow-moving plots (usually with a bar fight thrown in) and "exotic" locales that tend to be various urban centres, lacking the mythic sense of wonder, the romanticism (and budget) needed. But after further viewings, it's possible that it's trying to be just slightly rambunctious comedies with a nod toward Nancy Drew, and relying on the wit and chemistry of the leads to pass the hour. Unfortunately, the plots are still often dull and slow-moving and the humour rarely actually chuckle-inducing. It seemed to improve slightly in the second season, with plots a bit better paced out as well as greater emphasis on the fantastic (voodoo mysticism, etc.). But it remains a tad...dull, though throws in some cheesecake/beefcake with Carrere sometimes in a bra and Anholt shirtless. American actress Carrere is a competent, somewhat bland actress. Yet, according to the series' makers, the show was conceived solely as a vehicle for her! If they felt she was the best actress for the part, fine, whatever, but who develops an entire series around someone probably best known for M&M commercials? Her character remains largely undefined, not really given any quirks (or vulnerabilities) that would make her interesting. Anholt does slightly better, with a better realized character, but suffers because he serves no useful function (in a "buddy" series, each character should have a skill or expertise that complements the other). And the actors/characters don't really demonstrate any rapport. Still, if you groove to the characters, the series might be moderately fun, but otherwise...not. Shortly after it was cancelled, another series came along utilizing a similar premise, Adventure, Inc. Three seasons of hour long episodes in syndication. |
RELUCTANT ANGEL
* * setting: Ont.
(1997) Megan Follows, Jaimz Woolvett, James Gallanders,
Martin Villafana, Anne Marie Loder, Victor Ertmanis.....A small time
thief and wanna-be artist (Follows) takes up with a suicidal drunk (Woolvett)
who kind of thinks she might be an angel...to the displeasure of her thrill-criminal
ex-boyfriend (Gallanders). Serio-comic flick seems like something from
out of Hollywood back in the early '70s...but misses by a narrow margin.
The story lags and the grittiness and the fringe dwelling characters are
more uncomfortable than quirky or ingratiating. Follows remains obnoxious,
Woolvett weird, and Gallanders a demented psychopath. Though there's a
cute twist involving Villafana (as a homeless guy). sc: Denise O'Rourke.
dir: John Helliker. 100 min.
REMEMBERING MEL
* * setting: P.Q.
(1986) Robert Kolomeir, Arthur Holden, Jim Connolly,
Guy Laprade, Natalie Timoschuck.....Story of a group of filmmakers
doing a documentary about a total loser, Mel (Kolomeir), and how by trying
to film his life, they change it. Good premise in this low-budget comedy
and sometimes very funny, but the weak performances hurt it. sc: Doug Harris,
Larry Raskin (story Harris, Raskin, Andrew Levine). dir: Doug Harris. -
sexual content, brief female nudity.- 78 min.
THE RENDERING
* * 1/2 setting: USA.
(2001) (/U.S.) Shannen Doherty, Peter Outerbridge,
Stephen Young, John H. Brennan, Conrad Pla, Tammy Isbell, Sean Devine.....Ten
years after she was attacked, and her assailant incarcerated, an American
woman (Doherty), moonlighting as a police sketch artist, discovers someone
is framing her husband (Brennan) for a series of assaults and murders.
Suspense-drama isn't great by any stretch, or even especially good,
but it is a watchable enough time killer on whatever level, as a suspense
film, or just to watch American actress Doherty in clingy shirts. Though
it's not clear if the viewer is actually supposed to be surprised by who
the bad guy is. a.k.a. Portrait for Murder. sc: David Amann. dir:
Peter Svatek. - violence.- 92 min.
RENE LEVESQUE
* * 1/2 setting: P.Q.
(2006) Emmanuel Bilodeau, Pascale Bussieres, Dan Bigras,
Gilles Renaud, Evelyne Rompre, Frank Schorpion, Lucie Laurier, Roger Leger,
Roc Lafortune, Pierre Gendron.....Story of the middle years of Rene
Levesque (Bilodeau), from the late 1950s to 1970, detailing his times as
a popular TV reporter, to joining the Quebec Liberal party and battling
the corruption of the ruling Union Nationale, forming a government, and
to his increasing nationalism/separtiste beliefs. Filmed simultaneously
in French and English, this is a good looking, well acted production, with
a nicely evocative performance from Bilodeau (despite little overt physical
resemblance) -- and, though clearly a paean to the man, it's also a warts
and all portrait, including detailing Levesque was a serial cheater and,
essentially, a bigamist (fathering a child with a mistress). But the series
is over long, with aspects that just seem repetitive. Perhaps worse, at
least for an English-Canada/federalist audience, the movie fails to really
explain or justify Levesque's belief in Quebec sovereignty -- most of his
depicted battles are with corruption within Quebec. It's not that
the show should convince its audience of the value of separatism...but
it needed to better convince us why Levesque believed in it. The
result is that Levesque, despite his insistence on minority and (English)-language
rights, can come across as precisely what he claimed he wasn't...a xenophobe
who just didn't like Canadians. Likewise, his romantic entanglements also
seems unjustified, emotionally. The result is not uninteresting, and serves
as an intriguing companion piece to Trudeau
II: Maverick in the Making, as it covers the same time period, and
even scenes (Gendron, Lafortune and Leger play the Trudeau, Gerard Pelletier
and Jean Marchand)...but remains a tad superficial and overlong. For a
non-Quebec audience some of the real life figures could be explained better,
such as Bigras as star wrestler Johnny Rougeau, or Yves Jacques in a recurring
bit part, with a weird cackle and sometimes in old man make-up, as Doris
Lussier, a then-popular actor/comedian. Levesque's life was earlier chronicled
in a 1996 French-language mini-series. 6 hours. sc: Genevieve Lefebvre
(from the biographies by Pierre Godin). dir: Giles Walker. - sexual content.-
RENO AND THE DOC
* * setting: Alt.
(1984) Kenneth Welsh, Henry Ramer, Linda Griffiths,
Charles Dennis, Damian Lee.....Hustler (Ramer) discovers he has a psychic
connection with a naive, middle-aged, mountain man (Welsh), who happens
to be a skier of championship potential. Odd comedy is uneven but has some
likeable performances. sc./dir: Charles Dennis (story by Damian Lee). -
sexual content, casual male nudity.- 88 min.
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(2006-) * * Christopher Bolton ("Cake"), Inga Cadranel ("Francesca'), Joe Pingue ("Joey Almost"),Carlos Diaz ("Looch"), Jeremy Wright ("Short Bus"), Mayko Nguyen ("Goth Girl"), Louis Di Bianco ("Johnny"), Matt Gordon ("Doc"), Pascal Petardi ("Sh*t Pants"), Philip Riccio ("Puker"), Maria Vacratsis, with Gabriel Hogan ("Lance"), Oliver Becker ("O'Malley"), others....Comedy about a guy (Bolton) with an enigmatic past who, kind of, looks out for his friends, and works at a coffee shop in Toronto's Little Italy and also runs a sideline business providing last minute, pinch hit hockey players for minor league teams. His nickname -- "Cake" -- is derived from "mangia cake", Italian-Canadian slang for a non-Italian. Made for the "edgy" Showcase cable station, this comedy is thick with profanity, vulgarity and (appropriately considering the premise) locker room humour and could kind of be likened to Trailer Park Boys meets King of Kensington...with a bit of "Cheers" thrown in. Bolton and the actors are good (Cradnael exudes a palpable sensuality), but it's such a large cast, many are often under-utilized in undeveloped parts. There is a cosy appeal to the coffee shop where "everybody knows your name" (to borrow a catch phrase from "Cheers") and it does an okay job immersing itself in an Italian-Canadian ambience without getting too buried in over-the-top stereotypes (unlike Ciao Bella). But it is a comedy...and it's more sporadically cute than actually funny, and with plots that, though trying to be wacky things where oddball schemes snowball out of control, can often just kind of careen about drunkenly, where even the climaxes can seem anti-climactic. And though the R-rated material is clearly what the series is selling (and what Showcase is buying) it kind of wears after a while, as one begins to feel story isn't always dictating the profanity and vulgarity, as the need for profanity and vulgarity is dictating the stories. If you took out every four letter word...the episodes would probably run ten minutes shorter. Sill, it has its moments and some potential if the rough edges can be smoothed over. Some real life hockey legends make cameos in various episodes. This joins the loooonnng list of recent Canadian comedies where it's created by its actor-star...in this case, former teen actor Bolton. Half-hour episodes on Showcase. - casual male nudity.- |
LA REPETITION *
* setting: other
(2001) (/France) Emmanuelle Beart, Pascale Bussieres,
Dani Levy, Jean- Pierre Kalfon, Sami Bouajila, Marilu Marini, Clement Hervieu-Leger.....Two
estranged friends reunite, one now a rising actress (Beart) and the other
(Bussieres) secretly obsessed with her. Drama is decently acted, and the
two stars are certainly nice to look at (particularly French actress Beart),
but given that, of the two lead characters, one is borderline psychotic,
the other neurotic, it's hard to get involved, particularly as the film
is presented in an aloof sort of way. Can sort of maintain a certain level
of interest once you get into it, but even then kind of peters out by the
end. The point may be that the characters are kind of locked in a cycle
(hence the title) where they miss each other when apart, but bring out
the worst in each other when together...or something like that. Some white
sub-titles on white backgrounds lose some dialogue. a.k.a. Replay.
sc: Catherine Corsini, Marc Syrigas, with Pascale Breton, Pierre-Erwan
Guillaume. dir: Catherine Corsini. - partial female nudity, sexual content,
male nudity.- 92 min.
REPLAY see La Repetition
REPLIKATOR *
setting:
USA.
(1994) Michael St. Gerard, Brigitte Bako, Ned Beatty,
Lisa Howard, Peter Outerbridge, Ron Lea, David Hemblen, La Cicciolina.....In
a cyberpunkish future, a man (St. Gerard) finds his replication device
causing trouble when it creates an evil twin of himself and bad guys want
the technology. Low-budget and pretty bad thriller seems to want to be
intelligent but is mainly dumb and often incoherent -- perhaps a product
of so many writers. And despite the recognizable cast (even imported St.
Gerard played Elvis in a U.S. series) no one can exactly brag about their
performance here, though Beatty does O.K. Italian porn star/politician
(really!), La Cicciolina (a.k.a. Ilona Staller), plays a stripper. sc:
Tony Johnston, John Dawson, Michelle Bellerose (six or seven additional
writers are listed at the end). dir: G. Philip Jackson. - female nudity,
extreme violence.- 97 min.
THE REPUBLIC OF LOVE*
* setting: Ont.
(2003) (/U.K.) Bruce Greenwood, Emilia Fox, Edward
Fox, Martha Henry, Jan Rubes, Gary Farmer, Lloyd Owen, Jackie Burroughs,
Claire Bloom, Juan Chioran.....A thrice-married, thrice-divorced, unlucky
at love late night DJ (Greenwood) and a woman (Fox) who has trouble with
commitments live in the same apartment building unaware of each other,
and when they meet...it's literally love at first sight; but complications
eventually occur. Romantic comedy-drama is sweet tempered, visually stunning
and stylish, with appealing performances from the two leads (age discrepancy
aside) and a great supporting cast...most of whom are wasted in nothing
parts (including the likes of Rebecca Jenkins and Suleka Mathew
in thankless roles as supporting characters' spouses). There's even an
appealingly unapologetic ethnic pluralism, and a haunting Indian music
score. It wants almost to have an aspect of a dreamlike fairy tale -- but
the result is plausibility is frequently tenuous, as the characters say
and do things to demonstrate a theme or plot point, rather than because
it really seems real (particularly toward the end). Too often ideas or
scenes are thrown in...that are never developed into anything (including
that Greenwood was raised by a home ec. class, or the whole six degrees
of separation notion that the two leads live in the same building and travel
in the same circle of friends, but hadn't met before). And the very beauty
of the imagery can swamp the narrative. It's as if the movie is torn between
being a mainstream, sprightly romance...and a ponderous art film, and the
conflicting impulses threaten to cancel each other out. There's so much
to like about this film...but the whole is less than the sum. The two Foxes
are daughter and father in real life, too. sc: Deepa Mehta, Esta Spalding
(from the novel by Carol Shields). dir: Deepa Mehta. - sexual content.-
96 min.
REQUIEM FOR A HANDSOME BASTARD see Requiem pour un beau sans-coeur
REQUIEM FOR MURDER
(1998) Molly Ringwald, Christopher Heyerdahl, see
Tales
of Intrigue
REQUIEM POUR UN BEAU SANS-COEUR
* * 1/2 setting: P.Q.
(1992) Gildor Roy, Jean-Guy Bouchard, Brigitte Paquette,
Sabrina Boudot, Klimbo, Stephane Cote, France Arbour, Louis-Georges Girard.....Story
of an out-of-control escaped convict (Roy) -- told from point of view of
those around him -- and of the one person who betrays him. Interesting
premise and technique in this suspense-drama, but the movie doesn't start
working until half-an-hour into it, when we start following those with
him. Gritty and, at times, unpleasant. English title: Requiem For a
Handsome Bastard. sc./dir: Robert Morin. - violence, sexual content.-
93 min.
RESIDENT EVIL: Apocalypse*
* 1/2 setting: USA.
(2004) (/U.K./France/Germany/Germany) Milla Jovovich,
Sienna Guillory, Oded Fehr, Thomas Kretschmann, Sandrine Holt, Jared Harris,
Sophie Vavasseur, Mike Epps, Raz Adoti, Zack Ward.....When a sinister
corporation's bio-weapons project goes awry, the entire city is infected
with a zombie virus that turns the dead into the living dead. A group of
(heavily armed) survivors -- most cops or survivors of a tactical squad
unit -- must band together to survive, while the corporation engages in
a few additional experiments. Sequel to the first Resident Evil (both based
on a video game) with Jovovich reprising her role. Action-horror flick,
yet another entry in the "living dead" sub-genre, is actually better than
the first Resident Evil and though, very violent, surprisingly, not quite
as gory. It's better than you might expect, briskly paced and with generally
decent performances, a slick, expensive look, and basic concepts that are
O.K. But because it wants to be an "action" movie, we're rushed through
it all, allowing little time for genuine suspense, or to really become
interested in the characters, and with the action scenes presented in a
choppy, quickly edited way that makes them hard to follow -- and there
are a lot of action scenes. An "official" Canadian co- production,
but of the main cast, only Holt is Canadian (quite good as the reporter)...and
she doesn't last the whole show! Filmed in Toronto (though pretending it's
a fictional American city), with Toronto's city hall serving as the climactic
set. Ironically, it's a movie about a viral outbreak that was shot during
Toronto's SARS crisis! sc: Paul W.S. Anderson. dir: Alexander Witt. - extreme
violence; brief female nudity.- 93 min.
RETURN ENGAGEMENT
* 1/2 setting: P.Q.
(1992) (/France) Roland Giraud, Marcel Leboeuf, Rufus,
Olivia Brunaux, Therese Liotard, Danielle Schneider, Marcel Sabourin.....After
death, a business man (Giraud) is offered another chance at life if he
can prevent the suicide of a surly, depressed man (Leboeuf). Good premise
in this drama, but blah and flatly presented with the humour inparticular
awkwardly done. Nice performance from Giraud. This should be listed under
its French title, but I don't know what that is. sc: Pierre Aknine, Didier
Kaminka, Serge Lascar. dir: Pierre Aknine. 88 min.
THE RETURN OF HICKEY *
* setting: USA.
(1987) (/U.S.) Zach Galligan, Nicholas Rowe, Edward
Herrmann, Tony Van Bridge, Stephen Baldwin, Hans Engel, Josh Hamilton,
Keith Knight, David Foley, Albert Schultz, Robert Joy.....Hicks (Galligan)
returns to school and discovers a rival for his mantle of king of the pranksters.
Sequel to The Prodigious William Hicks follows
the same formula -- therefore, pleasing to those who liked the first, and
not-so-much to those who didn't. If only the characters weren't so bloody
obnoxious... Co-produced by American PBS. Followed by
Hickey
and Co.. sc: Jan Jaffe Kahn (from the Lawrenceville stories by Owen
Johnson). dir: Allan A. Goldstein. 90 min.
RETURN TO THE LOST WORLD
* * 1/2 setting: other
(1993) (/U.K.) John Rhys-Davies, David Warner, Eric
McCormack, Nathania Stanford, Tamara Gorski, Darren Peter Mercer, Fidelis
Cheza, Geza Kovacs.....When the lost world is threatened by both a
ruthless industrialist and a volcano, our heroes reunite to rescue it.
Sequel to The Lost World (and filmed simultaneously)
is faster paced, but a bit clunky, particularly in the beginning. Still,
the dialogue, though uneven, can be quite witty and there are some strong,
engaging performances from the principals. Though some violence and brief
nudity seems a tad out of keeping with the tone of the original (though
gorgeous Stanford skinny-dipping is hardly unpleasant). Hokey fun if you're
in the right mood. sc: Peter Welbeck. dir: Timothy Bond. - violence, brief
female nudity.- 93 min.
REUNION: The Edmonton Symphony Orchestra Presents Procol Harum Live * * 1/2 (1992).....Reunion concert film (with a few brief interviews at the beginning) of the British rock band Procol Harum and the Edmonton Symphony twenty-odd years after they first collaborated. O.K., no frills document probably won't make any new Procol Harum fans, but will appeal to those who already are. dir: Michael Watt. 97 min.
REVENGE OF THE LAND (TVMS)
* * 1/2 setting: Sask.
(2000) Kenneth Welsh, Chandra West, Jennifer Dale,
Seann Gallagher, Chip Chiupka, Vlasta Vrana.....Saga of a ruthless
land baron (Welsh) in late 19th Century Saskatchewan, and those around
him, including a feisty farm girl (West) who becomes the family servant,
then shucks her values to weasle control of a hotel; the spiteful wife
(Dale); and the son (Gallagher) who becomes a crusading reporter out to
bring down his daddy while simultaneously having a star-crossed affair
with West. Lavishly mounted made for CBC TV mini-series has unabashed ambitions
to just be a pulply soap of greed, infidelity, vendettas, etc. and gets
better in the second half. O.K., but maybe it isn't pulpy enough,
failing to fully rise to the level of cheesy (fun) melodrama. As well,
the various threads aren't always fully developed (including the on again/off
again romance between Gallagher and West) -- heck, Dale disappears from
the story before the end! Gallagher, who plays essentially the saga's hero,
is rather charisma-less, perhaps reflecting a problematic artistic decision
on the part of the filmmakers...namely they're more interested in villains,
or at least characters with "wicked" streaks. Based rather loosely on a
non-fiction book that chronicled a Century of misdeeds in Saskatchewan,
this is fully fictionalized, though still probably allows some insight
into historical Western Canada, the plight of farmers, the impact of the
railroads, etc. Almost 20 years ago Welsh and Dale co-starred in Empire,
Inc., this show's spiritual predecessor...only then they played father
and daughter! sc: Sharon Riis (from the book by Maggie Siggins). dir: John
N. Smith.
REVOIR JULIE
* * 1/2 setting: P.Q.
(1999) Dominique Leduc, Stephanie Morgenstern, Marcel
Sabourin.....Two women, one-time best friends, reunite at one's rural
home, reviving a long ago friendship, but one of them (Morgenstern) is
hoping they can become more than just friends. Sweet tempered but rather
slight light-drama benefits from the ingratiating performances from the
two leads, who are basically the whole show, and from its laid back ambience
(while benefitting from a certain sprightliness). Likeable, even sort of
endearing if you're in an easy going mood, but not exactly riveting. Not
wanting to pidgeon hole the film, but it should play better for a lesbian
audience -- it's one of those films where, if not for the lesbian "hook"
(that is, if the story was about, say, a man and a woman) it probably wouldn't
have been made at all! Nice to see Morgenstern, an appealing but chronically
underappreciated actress, in a lead role. In French but with a smattering
of English, adding to the film's good natured, inclusive feel. English
title: Julie and Me. sc./dir: Jeanne Crepeau. 91 min.
REVOLVER see Caboose
THE REVOLVING DOORS see Les
Portes tournantes
THE REZ (TV Series)The cast was promising, and Jennifer Podemski inparticular very good, though veteran Collins easily stole more than a few scenes (not surprising, given her extensive experience). This series was spun-off from the film Dance Me Outside (featuring many of the same cast) and was, arguably, one of the most consistently repellant series, morally speaking, ever produced in Canada. The two beer drinking, cigarette smoking, deer jacking leads came across like an archetypal profile of a serial killer pair (with "Frank" the dominant sociopath, and "Silas" the passive borderline) and the whole series suffered from weird ethics. Memorable episodes include the one where "Lucy" decides to leave the Rez (and Frank), so "Frank" and "Silas" lock her up...eventually they decide it's the wrong thing to do, but it still was in extremely bad taste in this age of concerns over domestic violence. In another episode "Sadie" (the level-headed one, remember) supports a candidate for Chief (played by Raoul Trujillo) who spouts racist, anti-white sentiment (directed at "Eleanor")..."Sadie" only turns on him when she discovers he was lying, that he doesn't hate white people after all -- the blackguard! Combined with the original movie (in which our heroes plot a cold-blooded revenge murder) and you have a really creepy series...and arguably a racist one. After all, would anyone do a series with white actors and these storylines? "Tonight on King of Kensington, Larry supports a neo-Nazi trying to drive all immigrants out of the neighbourhood; later, on Street Legal, Chuck locks his wife in the bathroom until she promises to stay with him forever" -- nyah, I don't think so. Developed by John Frizzell, Brian Dennis from the stories by W.P. Kinsella (stories which, ironically, came under attack by Natives for what was perceived as racist elements). 17 half-hour episodes on the CBC. |
THE RHINO BROTHERS
* * * setting: CDN.
(2001) Gabrielle Rose, Curt Bechdholt, William MacDonald,
Alistair Abell, Deanna Milligan, Craig March, Andrew Kavadas, Rob de Leeuw,
Heather McCarthy.....Going through a slump, and with his own secrets,
a hockey pro (Bechdholt) returns to his dysfunctional, small town, hockey-obsessed
family: his domineering, success-obsessed mother (Rose), his embittered,
ex-pro player brother (MacDonald), and the affable younger brother (Abell)
who never made it professionally, but is captain of the local amateur team.
Dark drama offers a more blistering look at Canada's so-called "national
sport" than most hockey movies, and is basically a hockey drama as envisioned
by someone like Eugene O'Neil. Uneven, and goes too far over the top in
a few scenes (almost to the point of parody), but emerges as oddly compelling
for all that. Though the decision to have Milligan, as Bechdholt's level-headed,
outsider girlfriend, disappear from the story part way through is problematic.
sc: Rudy Thauberger. dir: Dwayne Beaver. 92 min.
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