Be-Bes

Go to Bottom

Sample: Title; rating (out of 4); principal setting; year of release; international co-producer (if any); cast; description; scriptwriter; director; content warning; running time.

THE BEACHCOMBERS (TV Series) (1972-1989)   * * 1/2  Bruno Gerussi ("Nick Adonidas"), Pat John ("Jesse"), Robert Clothier ("Relic") with Rae Brown ("Molly") (-13th), Jackson Davies ("Cons. John Constable") (3rd-), Bob Park ("Hughie"), Nancy Chapple ("Margaret"), Janet-Laine Green (15th-), Charlene Aleck ("Sara"), many others.....Family comedy-drama about a west coast beachcomber (Gerussi), his Native Indian partner (John), and their rather unscrupulous rival (Clothier), and the various other characters who hung around the local diner, Molly's Reach. Brown was the owner of the diner and Park and Chapple played her grandchildren for the first few seasons. There were many other actors who came and went over the show's long run, among them were Davies as the local Mountie, Aleck as "Jesse"'s little sister, and Green as the new owner of the diner. This TV series was hardly the best show ever made in Canada, but with it's flamboyant characters (particularly Clothier), off-beat milieu and location shooting, and strong core performances from Gerussi and Clothier, it managed to be hugely popular and the longest running fiction series ever produced in Canada. Characters who joined the series as kids and teens ended up growing into adults as the viewers watched. In fact, many felt its cancellation was an executive decision rather than a ratings one. In its final season, it was taken from its traditional Sunday night timeslot (where it brought in 2 million viewers) and was bumped around. When the ratings, not surprisingly, dipped, instead of returning it to Sunday, the CBC brass cancelled it. More than a decade later, the TV movie, The New Beachcombers, was made. Created by Marc Strange (also a respected actor) and Lynn Susan Strange. Developed by Philip Keatley. Half-hour episodes originally on the CBC.

A BEACHCOMBER'S CHRISTMAS  * * 1/2 setting: B.C.
(2004) Dave Thomas, Graham Greene, Jackson Davies, Cameron Bancroft, Deanna Milligan, Francoise Yip, William MacDonald, Michael Eklund, Gabriel Hogan, Kendall Cross, Susan Hogan, Dan Joffre, Shaun Johnston.....As Christmas approaches, the folks of Gibson's Landing get embroiled in various situations, from Milligan being offered a job that would require moving away, to an attempt to throw together a charity hockey game...with some less than honest hockey agents. Light-hearted flick is inoffensive and good natured, but seems like it thinks we've been living and caring about these characters for years, counting on our affection for them to interest us more than the story...when most only appeared in one previous movie! The loose plot is mainly a collection of various sub-plots that kind of meander about, being light- hearted without being entirely funny, serious without being entirely dramatic. Not a movie you can hate -- the actors are pleasant, and it has some cute bits -- but not quite riveting either. If your in the spirit of Christmas, and don't expect much, it's okay. Hockey goalie Manon Rheaume appears, and there are cameos by other pro hockey players. sc. Chaz Gillis. dir: Anne Wheeler.

BEAR ISLAND  * 1/2
(1978) (/U.K.) Donald Sutherland, Vanessa Regrave, Richard Widmark, Lloyd Bridges, Lawrence Dane, Christopher Lee, Barbara Parkins, Michael J. Reynolds Nicholas Cortland.....Mysterious goings on and murder plague an international arctic outpost, seemingly connected to an old German U-boat base. Good-looking suspenser, with an impressive cast, too bad it's so slow and the characters never become involving. Sutherland plays an American, natch. In fact, the sole "Canadian" character gets killed off early. The end credits promise another MacLean adaptation that never materialized. sc: David Butler, Don Sharp with additional material by Murray Smith (from the novel by Alistair MacLean). dir: Don Sharp. 118 min.

A BEAR NAMED WINNIE * * * 1/2  setting: CDN./other
(2004) (/U.K.) Michael Fassbender, Gil Bellows, Jonathon Young, Aaron Ashmore, Ted Atherton, David Suchet, Stephen Fry.....Story of how a WW I Canadian army veterinary corps lieutenant (Fassbender) reluctantly adopts an orphaned bear cub, he nicknames "Winnie", even bringing her to England while he and his friends try to slip it under the eye of their disapproving c.o. An odd inspiration for a movie...taking the real life historical trivia that A.A. Milne was inspired to write Winnie the Pooh, in part, by a real life Canadian bear...and turning it into a CBC TV movie! Fassbender's character is real...but one infers most of the actual scenes are fabrications. And who its audience is is also questionable. Kids would enjoy the concept, and the bear's adorable misadventures...yet it's wrapped up in a slightly darker, grittier, more adult tale of wartime. Yet, surprisingly, the result is quite strong...regardless of the intended demographics. Superbly acted all around, with a generally deft handling of the funny and the serious, the result is a compelling, occasionally touching, well-paced comedy-drama. The movie was originally aired around Christmas...but might actually be appropriate as an off-beat, family-aimed Remembrance Day movie, in which the shooting and fighting is barely depicted, but the war nonetheless omnipresent. sc: John Goldsmith, John Kent Harrison (story Simon Vaughan). dir: John Kent Harrison. app. 90 min.

BEAR WALKER  * * 1/2  setting: Ont.
(2001) (/U.S.) Renae Morriseau, Sheila Tousey, Shirley Cheechoo, Greta Cheechoo, Maximilian Martini (a.k.a. Max Martini), John Tench, Dennis O'Connor.....Story of a Native Indian woman (Morriseau), who kills her abusive husband, and how her eccentric sisters try to help her, and the corrupt cop (Martini) who investigates. Decidedly uneven, downbeat drama mixes mysticism (a bear walker is an evil spirit that is blamed for the various goings on), some unsettling drama that is placed right next to comedic scenes, with performances of varied quality (some are very good, some are more problematic...though kind of grow on you) and even a confusing presentation, with the story jumping back and forth in time. But the movie remains interesting for all that, with some strong scenes and a raw vitality overall that's undeniable. Though principally in English, there's an appealing eclecticism as characters slide into Cree and French as well (with subtitles). Tench, usually cast as bad guys, gets a change-of-pace role as a more sympathetic cop. a.k.a. Backroads. sc./dir: Shirley Cheechoo. - violence, sexual content, casual male nudity.- 83 min.

Bearing the Burden, a book by Elizabeth Wilton about the notorious Toronto baby derby, was part of the source for the TV movie The Stork Derby.
 

BEASTMASTER (TV Series) (1999-2002) (/Australian)  * *  Daniel Goddard ("Dar"), Jackson Raine ("Tao"), Monika Schnarre ("Sorceress") (1st, 3rd), Dylan Briek ("Sorceress"), (2nd-), with Grahame Bond ("The Ancient One") (-2nd), Emilie de Ravin ("Curupira") (-2nd), Steven Grives ("King Zad"), Sam Healy ("Iara") (-2nd), Natalie Mendoza ("Kyra") (1st), Marjean Holden ("Arina") (2nd-), David Paterson ("King Vodon") (2nd), Marc Singer (3rd),  others.....Adventure/fantasy set in a mythological time about a wandering warrior (Goddard) who can communicate with animals -- especially his pet tiger, Ru, his two ferrets, and an eagle. Raine plays his fast-talking, spiritual buddy, better with his head than his hands (shades of Xena and Gabrielle from "Xena: Warrior Princess"). Schnarre played a fey, morally ambiguous sorceress and Bond her more sinister, nigh omnipotent, mentor. Schnarre left early in the second season and was replaced by Briek as another sorceress, though Schnarre was back for the third season. Mendoza played the Beastmaster's true love, the search for whom formed a story arc for season one, but she was then killed off (kind of undermining those early episodes). Holden then was added as a beautiful mercenary. de Ravin played a goddess of the animals who gave the hero his powers, and Healy a more sinister demon. Grives played the hero's chief nemesis, an evil warlord. In the second season Paterson was more the main villain, playing another warlord, but by season three it was back to Grives. Like a lot of modern fantasy/sf series, the series relied heavily on the (frankly repetitious) idea of a recurring antagonist. Many of the characters and elements in the first two seasons seemed intended to give the series a surreal sense of Gods manipulating humankind, again evoking "Xena" and "Hercules", and something not really a part of the movies this series is based upon. But by the third season, most of the mythological cast of gods and demons and sorcerer's had been dropped from the series, with the emphasis now squarely on Zad and the Sorceress (now free of the Ancient One) making an alliance with a Devil-like entity, and a sub-plot of "Dar" looking for his real family (his previous knowledge of his origins being inaccurate). Also in the third season, Singer was added in a recurring role as "Dar"'s enigmatic Spirit Guide -- Singer had starred in the original movies, and his presence, even in a kind of annoying part, was a welcome addition, injecting a lot of energy into the proceedings. Schnarre, and Briek, were the only Canadians in the regular cast. Holden's American (and Singer's a Canadian-born American). Everyone else is Australian (but spoke with American accents). Yet another entry in the wave of fantasy series inspired by "Hercules: The Legendary Journeys" and "Xena", this one boasts a competent cast, but suffers from lethargic, annoyingly thin and humourless plots, and kind of blah characters. The airy cut-away scenes involving Schnarre in the first season often seemed to have no relation to the main plots and were curiously repetitive (episode after episode reiterating how, unbeknowst to herself, Dar's pet eagle used to be human, and her lover, until they were both cursed by the Ancient One). Like a lot of modern series (fantasy and non-fantasy) this embraced the comic book idea of continuing sub-plots and story arcs. The problem is that in order for that to work a series needs to accomplish two things. 1: make the individual episodes and characters interesting enough (and coherent enough) that the viewer will stick around for the sub-plots to unfold and, 2: convince the audience the cryptic lines and promised plotlines are headed somewhere. Neither of which this series quite pulls off. Equally problematic, in a "buddy" series, was that Goddard and Raines kind of lack on-screen chemistry/rapport; even by the third season they seem like aquaintances more than best friends. Ironically, villain Grives delivered the most interesting performance. Still, whatever my ambivalence, in the final episode the series offered this clever like aphorism: "Life is what happens while you're making other plans". This was based on a 1982 American movie -- arguably the best fantasy/barbarian movie of its time (which isn't saying much, admittedly) -- and its inferior sequels, which, in turn, were based very, very loosely on an Andre Norton novel. Marc Singer's ingratiating performance was a highlight of the original movies. Goddard is a capable actor, but lacks Singer's personability. Hour long episodes in syndication.

BEAUTIFUL DREAMERS  * * * setting: Ont.
(1990) Colm Feore, Rip Torn, Wendel Meldrum, Sheila McCarthy, Colin Fox, David Gardner, Tom McCamus, Marsha Moreau, Angelo Rizacos, Albert Schultz.....In 1880, radical American poet Walt Whitman (Torn, who's tackled the role before) befriends earnest, Canadian psychiatrist Richard Bucke (Feore) and helps him put his sensitive therapy ideas into practice, as well as alienating half the town and re-invigorating the doctor's polite marriage (to Meldrum). Good-natured, entertaining drama is well-acted and slightly sensual (in a wholesome sort of way). Amusing and touching. Based on a true story. sc./dir: John Kent Harrison. - female nudity and brief male nudity.- 107 min.

BECAUSE WHY  * *  setting: P.Q.
(1993) Michael Riley, Martine Rochon, Doru Bandel, Heather Mathieson, Tod Fennell, Maggie Castle, Victor Knight.....Odd-ball drifter (Riley) comes back to Montreal, unsure of what he wants in life or why, moves into an apartment building and becomes involved in various relationships. Comedy-drama is amusing and eccentric at times, but gradually wares away any viewer involvement. It wants determinedly to be an ART film, which means it's obvious, largely plotless and slow, with opaque characters and lots of pregnant pauses between lines. Good-looking, well-acted and not terrible, but uncompelling. sc. Arto Paragamian with Eric Parenteau, Claude Gagnon. d. Arto Paragamian. - brief female nudity.- 105 min.

BEDROOM EYES  * * setting: Ont.
(1985) Kenneth Gilman, Dayle Haddon, Barbara Law, Christine Cattell, Lawrence K. Philips, Jayne Catling, Alf Humphreys, Angus MacInnes, Nick Nichols.....Peeping Tom (Gilman) becomes fascinated with a menage-a-trois, then witnesses a murder and finds himself the chief suspect with only his psychiatrist (Haddon) to whom he can turn. A decent performance from Gilman gives a boost to this otherwise middling humourous erotic thriller. sc: Michael Alan Eddy. dir: William Fruet. - partial female nudity, sexual content, violence.- 94 min.

Beethoven Lives Upstairs  * *  setting: other
(1992) Neil Munro, Illya Woloshyn, Fiona Reid, Paul Soles, Albert Schultz, Sheila McCarthy.....In the early 1800s, a young boy (Woloshyn) at first resents, then befriends, his family's border, the eccentric composer, Ludwig van Beethoven (Munro). Hour long family drama starts out pretty bad but gets better, thanks mainly to Munro's performance and the musical score. Though as an introduction to Beethoven, the man (and his work), it doesn't offer a lot. sc: Heather Conkie (based on the original work by Barbara Nichol). dir: David Devine.

BEHIND THE BLUE  see L'enfant d'eau

BEING AT HOME WITH CLAUDE * *  setting: P.Q.
(1992) Roy Dupuis, Jacques Godin, Jean-Francois Pichette, Gaston Lepage.....Cynical cop (Godin) interrogates a prostitute (Dupuis) to find out why he murdered his respected male lover. Unsuccessful drama is hurt by its glossy, too-slick direction, scenes that are played all on the same level, and a lack of substance in the first half. The flashbacks undermine what little tension has been created. Godin and especially Dupuis try hard, though. In French. sc./dir: Jean Beaudin (from the play by Rene Daniel Dubois). - sexual content, extreme violence.- 85 min.

BELIEVE  * * 1/2  setting: USA.
(1999) Jan Rubes, Ricky Mabe, Elisha Cuthbert, Ben Gazzara, Andrea Martin, Stephanie Morgenstern, Charles Powell, Christopher Heyerdahl, Jayne Heitmeyer, Chip Chuipka.....After being expelled from boarding school, an American teen (Mabe) is sent to stay with his estranged grandfather (Rubes) until his parents can make other arrangements; while there he and the girl next door (Cuthbert) investigate a ghostly apparition. Good looking, O.K. family film, though it's maybe not (quite) spooky enough to be scary, but not quite sprightly or humourous enough to be a Disney-esque romp. The movie actually seems like two films, with an extended middle sequence where the heroes stage a fake haunting to get back at some bullies (presumably 'cause the main ghost story didn't have enough to it to make a movie). Moderately fun. Other than the three leads, most of the cast have just small parts. Co-scripter LaFortune is better known as an actor. sc: Richard Goudreau, Roc LaFortune (story Robert Tinnell). dir: Robert Tinnell. 96 min.

BELLEVILLE RENDEZ-VOUS  * * *  setting: other
(2003) (/France/Belgium).....Animated fable about a plucky grandmother whose devotion to her grandson leads her to helping him become a cross-country bike racer and, when he's kidnapped by nefarious goons, sets out (with his dog in tow) to find him. Comedy boasts impressive and captivating sets and character designs, flawless movements, and an intriguing, truly bizarre imagination. You hardly need an English-translation, as there's very little dialogue spoken -- it's mainly pantomime. Has a surreal opening sequence that might put one in mind of U.S. counter-culture animator Ralph Bakshi...but don't let that put you off. It's funny and kind of sweet and endearing, particularly as the unflappable grandmother and dog are true characters...but it's also weird and, frankly, a little nightmarish and grotesque, making it maybe not suitable for littler kids. Received the Best Picture Genie. English title: The Triplets of Belleville. sc./dir: Sylvain Chomet. - brief female nudity.- 78 min.

Benny Cooperman movies: Novelist Howard Engel's slighty nebbishy private eye was featured in two excellent CBC TV movies starring Saul Rubinek. Too bad there weren't more. They were: The Suicide Murders and Murder Sees the Light.

BERLIN LADY (TVMS) * *  setting: other
(1990) (/France) Robin Renucci, Giulia Boschi, Carl Marotte, Alain Doutey, Monica Randall, Lloyd Bochner, Robert Atzorn, Myriam Cyr.....In Europe in the early '30s, a freewheeling, wannabe French photographer (Renucci) -- not above a little (friendly) blackmail or playing a gigolo --, infatuated with his beautiful cousin (Boschi), a German movie star, inadvertently finds they're both in trouble with the rising Nazi party over a picture he took -- a picture with a clue to a conspiracy. Comedy-drama/suspenser suffers from an obnoxious hero and the weaknesses of a lot of co-productions: awkward dubbing (even though the actors seem to be speaking English); too-broad, even hysterical, performances; poor dialogue; obvious music. The meandering story has the elements of a good idea (the unrequited love, the gradual uncovering of a conspiracy) but handles them poorly. This may not have aired in Canada until 1998. 4 hours. sc: Simon Michael, Dan Franck, Jean Vautrin, and Donald Martin (from the novel La Dame de Berlin by Franck and Vautrin). dir: Pierre Boutron.

THE BEST OF SCTV  * * * 1/2  setting: USA.
(1988) (/U.S.) John Candy, Joe Flaherty, Eugene Levy, Andrea Martin, Rick Moranis, Catherine O'Hara, Martin Short, Dave Thomas.....Compilation of sketches from the hit satirical TV series, loosely strung together by a plot involving a license renewal hearing for the SCTV network. Everyone will have sketches they feel should have been included but it's generally hilarious and a good retrospective. A shorter version, with more Canadian sketches, was made for the CBC and called SCTV on Trial" (but rates about the same). sc: the cast (and many others). dir: John Blanchard (and others). app. 100 min.
 

THE BEST YEARS (TV Series) (2007-) (/U.S.)  * * 1/2  Charity Shea ("Samantha 'Sam" Best"), Brandon Jay McLaren ("Devin Sylver"), Jennifer Miller ("Kathryn Klafer"), Athena Karkanis ("Dawn Vargaz"), Niall Matter ("Trent Hamilton"), Randal Edwards ("Noah Jensen"), with Sherry Miller, Alan Van Sprang, Yanna McIntosh, Ron Lea, Siu Ta, etc ......Drama-cum-soap about life at an Ivy League Boston University, focusing on a freshman (American Shea), a wrong side of the tracks orphan trying to negotiate her way threw the blue blood snobbery of (some) of the students, as well as romantic complications, and learning the secrets of her own family history. McLaren plays her boy friend, the school's basketball star; Miller her snobby and catty room mate; Karkanis her best friend, a former TV teen star; Matter the bar tender at the local, whom "Sam" was also attracted too; Edwards a good natured Canadian student. Miller plays a wealthy University patron who took Sam under her wing for her own not-so-mysterious reasons; McIntosh the University Dean; Van Sprang, the owner of the bar where Sam worked and her friends hung out; etc. The relationships are hard to categorize as they tend to be in constant flux, as the friendships, and romantic entanglements, wax and wane and the characters can be cast in new light (Miller goes from heroine's friend, to enemy, to something in-between).  Initially some press was written about the contrast in Canadian and American reviews -- Canadian reviewers were largely unimpressed, American reviewers were more favourable. But the contrast may have said as much about marketing/expectations in the different countries. In Canada the series was aired at 10:00 pm, and creator Aaron Martin likened it to the well remembered U.S. series "Felicity", fuelling expectations of a "grown up" show...while in the U.S. it airs on a cable station aimed at teens. Martin had previously worked on the teen series, Degrassi: The Next Generation, and the series ultimately seems more aimed at teens and pre-teens in style and writing, although "sexed" up to make it adult-friendly. Taken that way, it's not terrible, but not really great either. It's unabashedly pulpy entertainment and briskly paced (maybe a little too much so, as plot threads -- many that do seem lifted shamelessly from "Felicity" -- are whipped through that might better have been slowly developed) and the actors are pleasant enough. Shea is reasonably personable, if non-descript, though, arguably, Karkanis has more charisma (and some of her scenes with Van Sprang, as an avuncular old friend, are some of the series' most emotionally effective). But the characters themselves aren't that interesting, nor do we really empathize with them a lot of them time. And the series' emphasis on boozing and partying can make the characters seem a bit vapid, and is awkward given that most of the characters are actually supposed to be under-age!  Another sub-text to the series is one of classism and elite snobbery, as the heroine butts heads with old money students...yet, ironically, the heroine has a wealthy patron who bails her out of trouble that would get other students expelled, McLaren plays the star jock able to flaunt the rules with impunity, her best friend is the TV star who can get them the best tables at night clubs and who is handed the lead role in the school play, despite a poor reading -- far from a criticism, the series seems an ode to the value of privilege! (Interestingly, the series shies away from any racism issues, yet, given the snobbish, class conscious environment, is it likely the black jock's relationships with white women would go unremarked upon?) Created by Aaron Martin. Hour long episodes, shown on CanWest-Global.

Go to Top

Next

Back

Back to The Great Canadian Guide to the Movies & TV