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Sample: Title; rating (out of 4); principal setting; year of release; international co-producer (if any); cast; description; scriptwriter; director; content warning; running time.
BLIND FEAR
* 1/2 setting: USA.
(1989) Shelly Hack, Jack Langedijk, Kim Coates, Heidi
von Palleske, Jan Rubes, Ron Lea, Geza Kovacs.....Trio of psychotic
hoods (led by Coates) hide out in a closed New England inn, unaware that
a blind woman (Hack) is in the house. Hack is uninspired in this suspenseless
suspenser, but then neither she nor the rest of the good cast are given
much to work with. sc: Sergio Altieri. dir: Tom Berry. - violence.- app.
90 min.
BLIND TERROR *
* setting: USA.
(2000) (/U.S.) Nastassja Kinski, Stewart Bick, Maxim
Roy, Victoria Snow, Jack Langedijk, Gordon Pinsent, Frank Schorpion, Edward
Yankie.....Morose American widow (imported Kinski) finds her new found
happiness with a new husband (Bick) jeopardized by a crazed female stalker.
Suspense film is one of those modestly-budgeted little thrillers Canadian
filmmakers churn out on a regular basis, utilizing the usual story elements
(the cheery best friend, the ineffectual cop, the ageing private eye who
won't make it to the final reel, the generic title, the U.S. setting, etc.
-- even the casting contains the usual acttors like Bick and Langedijk).
It's not that it's bad...it's just a touch uninspired and slow moving.
It spends so much time away from the thriller plot, it's almost as if it's
trying to be a drama...without making the drama stuff, and the characters,
that
interesting. And the solution actually turns out to be less complicated
than one suspected. Still, maybe on a slow night... sc: Douglas Soesbe.
dir: Giles Walker. 94 min.
BLIND TRUST see Pouvoir intime
BLINDSIDE *
* setting: Ont.
(1987) Harvey Keitel, Lori Hallier, Lolita David (a.k.a.
Lolita Davidovich), Michael Rudder, Cordelia Strube, Durango Coy, Allan
Fawcett.....Motel manager and former behavioural scientist/surveillance
expert (Keitel), is strong-armed into keeping tabs on a tenant but he also
discovers a seemingly unrelated murder plot. Uneven, convoluted thriller
has some O.K. ideas and good atmosphere but that's about it. sc: Richard
Beattie. dir: Paul Lynch. - violence, partial female nudity.- 103 min.
BLIZZARD see Rafales
BLOOD *
* * setting: P.Q.
(2004) Emily Hampshire, Jacob Tierney.....Tale
of a straight-laced recovering addict (Tierney) who returns to Montreal
and hooks up with his sister (Hampshire) and the quirky psycho-sexual mind
games that ensue when she announces she's expecting a John who will pay
for a threesome...and she needs him to be the third! Beautiful-looking,
stylish, exceptionally well-acted comedy-drama unaplogetically flaunts
its stage origins to good effect (it's just the two actors on, for the
most part, one set). Playwright Walmsley's (Paris,
France) stock-in-trade seems to be as taboo-busting shocking and outrageous
as he can be (incest, drugs, bi-sexuality)...but if you don't mind that,
there's some clever and amusing dialogue and twists. You don't necessarily
come away with any real insight into the Human Condition, but oddly engrossing.
sc./dir: Jerry Ciccoritti (from the play by Tom Walmsley). - brief female
and male nudity; sexual content.- 90 min.
BLOOD & DONUTS *
1/2 setting: Ont.
(1995) Gordon Currie, Justin Louis, Helene Clarkson,
Fiona Reid, Frank Moore, Hadley Kay, David Cronenberg, J. Winston Carroll.....A
benevolent vampire (Currie) wakes from a quarter century hibernation and
befriends a cabbie (Louis) in trouble with gangsters, and a waitress (Clarkson)
at a donut shop. Comedy-drama has a respectable cast and quirky -- even
clever -- ideas, so why is it so tedious? For one thing, you keep waiting
for the main plot to show itself, since all the existing plot elements
seem more like sub-plots (and often not well-defined ones, like: why is
Louis' character involved with the hoods to begin with?) and some scenes
seem to exist simply because the filmmakers thought they were neat, and
not because the story or characters justified them. Even more damaging,
though, is that like way, wa-ay too many Canadian movies, the pacing is
lethargic and scenes go on too long. sc: Andrew Rai Berzins. dir: Holly
Dale. - violence, casual male nudity, sexual content.- 88 min.
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(2015-) * * 1/2
Steph Song ("Det. Jo Bradley"), Peter Outerbridge ("Det. Al Gorski"), Russell Yuen ("Lt. David Chu"), with Elfina Luk, Oscar Hu, Simu Liu, Fiona Fu, Loretta Yu, others.....Crime-mystery about a Vancouver police detective (Song) -- the first season unfolding a single mystery as she is assigned her first case as lead investigator: the murder of the estranged son of a wealthy and influential Chinese-Canadian family. The fact that she herself is Chinese-Canadian leading some to infer she was promoted for politic reasons -- as well, she has recently learned she has cancer. Outerbridge plays her cynical partner; Yuen their boss (referred to as a "lootenant" -- which is wrong on multiple levels!) Made for OMNI TV, a channel with a special focus on multicultural and multi-ethnic programming, it was presented in eight half-hour episodes and is clearly meant to join the current trend of brooding, thoughtful crime dramas (even having a melancholy folk song played over a title montage of oblique images).
It's an okay series to an extent, with some particularly nice performances from the guest star cast (especially Luk as the victim's sister and Hu as his hard-nosed dad), without really distinguishing itself -- other than the "ethnic" angle and the fact the dialogue is a mix of English and Cantonese. Even then, one might argue the narrative potential in Canadian multiculturalism surely lies in the stew of cultures found in big cities, not in focusing on one ethnicity or, at most, a Chinese-White mix -- though the scene where it's revealed that Yuen's character doesn't speak Cantonese (essentially he's Chinese-Canadian more the Chinese-Canadian) is a nice nod to ethnic complexity. But the problem with the half-hour "chapter" format is that it should promise a tight, complex story...but instead it can be slow-moving and like scenes are stretched just to fill up the episodes, rather than being a Byzantine mystery where every episode brings a new twist or revelation. Perhaps because of a tight budget, it seems a limited cast and locations, and where the final revelation of the killer can seem anti-climactic because the viewer could see it was headed that way a few episodes ahead of time.
The cancer sub-plot seems of little impact on the plot, perhaps because this is meant to be the first season -- and coinciding with the CBC's This Life, also about a heroine with cancer (and, for those as like trivia: there were the earlier Chasing Cain TV movies about a female detective recovering from cancer...and partnered with Peter Outerbridge!). But it may also be that the symbolism just wasn't properly brought out in the scenes, since viewed in retrospect, there are recurring themes about "family" ("Jo" is adopted and her cancer might render her sterile, and she's investigating a case involving a dysfunctional family). The story arc is about "Jo" proving herself (to those assuming she was promoted for "Political Correctness") and having to win the respect of her jaded partner -- but is that a rebuttal to racism and sexism, or a tacit nod to the same? After all, how many series featuring a white male hero require a whole season for the character to "prove" he deserved his promotion? And for that matter, given the case (with its lack of clues and suspects), "Jo" never does prove herself as being clever...and in an awkwardly contrived final sequence, ends up back in the doghouse (presumably so, if there's a second season, they can once more structure it around her "proving" herself). The result: not a bad crime drama...but not especially stand out. Half-hour episodes on OMNI TV.
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BLOOD CLAN *
setting: Alt./other
(1991) Michelle Little, Gordon Pinsent, Robert Wisden,
Ann Mansfield.....In 1800s Alberta, the sole survivor (Little) of a
crazed Scottish clan is hated by her adopted mother and finds herself the
suspect in a series of mysterious deaths. Stilted, poorly presented low-budget
suspenser is extremely slow moving (but with a menacing music score just
to keep us watching!) and the actors seem a little confused, particularly
-- and surprisingly -- Pinsent as her adoppted father. Although the story
is fictional, the key element of the psychotic Scottish clan is, I believe,
inspired by fact. sc: Glynis Whiting. dir: Charles Wilkinson. - violence,
brief male nudity.- 92 min.
BLOOD FOR BLOOD a.k.a. Sunday in the Country
THE BLOOD OF OTHERS (TVMS)
*
* setting: other
(1984) (/France/U.S.) Jodie Foster, Michael Ontkean,
Sam Neil, Stephane Audran, Lambert Wilson, Alexandra Stewart, Marie Bunel,
John Vernon, Monique Mercure.....Story of a young, rather manipulative
French woman (Foster), who works in a fashion house prior to, and during,
W.W. II, and who will do anything in the name of her love for an idealistic
socialist, soldier, and freedom fighter (Ontkean). Familiar wartime drama
suffers from a miscast Foster's performance and Chabrol's usual passionless
direction. For a story about love, war and politics, it's desperately lacking
real fire. And, like a lot of mini-series, there's a sense that many of
the scenes are being stretched out to fill the running time. Speaking of
the running time: there seems to be a lot of confusion as to its length.
Other movie books list various running times, and when it was rerun late-night
on Toronto's CityTV in 1998, the programmer schedule it for 4 hours...and
showed it without the conclusion! For the record: it's 6 hours. sc: Brian
Moore (from the novel by Simone de Beauvoir). dir: Claude Chabrol.
BLOOD OF THE HUNTER
* setting: Yuk.
(1995) (/France) Michael Biehn, Alexandra Vandernoot,
Gabriel Arcand, Edward Meeks, Francois Eric Gendron.....After
implicating a trapper (Arcand) in a murder, a killer (Biehn) ingratiates
himself with the man's wife (Vandernoot). Period suspense-drama has a stylishly
put-together opening scene...and then everything falls apart when the actors
start talking. Yet another dreary, badly written and directed Tales
of the Wild film. sc./dir: Gilles Carle (from the work of James Oliver
Curwood). - violence, brief female nudity.- 97 min.
BLOOD RELATIONS
* *
(1989) Jan Rubes, Lydie Denier, Kevin Hicks, Lynne
Adams, Ray Walston, Stephen Saylor, Sam Malkin.....A woman (Denier)
schemes with her lover (Hicks) to kill his neurosurgeon father (Rubes),
but she begins to suspect there's more going on than she knows. Gothic-styled
suspenser starts out seeming smarter and more off-beat than you'd expect,
but quickly becomes repetitious with a resolution you can predict in the
first five minutes. Decently acted, but the unlikeable characters make
it hard to care. French actress Denier starred in the Canadian-made Tarzan
series. sc: Stephen Saylor. dir: Graeme Campbell. - extreme violence, female
nudity, sexual content.- 88 min.
BLOOD RELATIVES
* * 1/2 setting: CDN.
(1977) (/France) Donald Sutherland, Stephane Audran,
Micheline Lanctot, Aude Landry, Lisa Langlois, Laurent Malet, David Hemmings,
Donald Pleasance.....Police detective (Sutherland) investigates the
brutal murder of a teenager (Langlois) only to find it may be connected
to a secret, incestuous relationship. American novelist Ed McBain's
87th
Precinct characters are relocated to Canada and given a French ambience...with
mixed results. Hurt by a clumsy, low-budget feel, but manages to maintain
interest thanks, in part, to Sutherland. Audran and Lanctot get better
billing then their parts warrant, and Pleasance has just a small role...but,
naturally, is excellent. 20 years later the 87 Precinct novels would
also see life as a couple of TV movies (filmed in Canada, but not included
on this site). sc: Claude Chabrol, Sydney Banks (from the novel by Ed McBain).
dir: Claude Chabrol. - violence, sexual content.- 100 min.
BLOOD SPORT *
* 1/2 setting: Ont./Alt.
(1989) (/Ireland) Ian McShane, Heath Lamberts, Carolyn
Dunn, Kenneth Welsh, Patrick Macnee, Lloyd Bochner, Jennifer Dale, Timothy
Webber, Laurie Paton.....Investigator Dave Cleavland (McShane) looks
into the months-old kidnapping of a prized Canadian race horse. As long
as you don't expect this mystery-suspenser to be faithful to Dick Francis,
it's briskly paced and entertaining in a breezy sort of way. Lots of the
"names" (ie: Welsh, Macnee, etc.) have just small parts. See Dick
Francis Mysteries. sc: Andrew Payne (from the novel by Dick Francis).
dir: Harvey Hart. 92 min.
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(2007-2008) * * 1/2 (/U.S.) Christina Cox ("Vicky Nelson"), Kyle Schmid ("Henry Fitzroy"), Dylan Neal ("Mike Celluci"), with Gina Holden ("Coreen"), Nimet Kanji, Francoise Yip, Keith Dallas.....Supernatural-suspense about a Toronto private eye (Cox) whose cases lead her into the realm of the supernatural, and relying a lot on the assistance of a morally pragmatic vampire (Schmid)...all to the consternation of her former police partner (Neal); Holden plays her plucky secretary. Kanji the coroner with an interest in the supernatural; the others cops. Based on some novels by Tanya Huff, the series was set in Toronto...but filmed in Vancouver -- one of the few times a Canadian city was required to pretend it was another Canadian city (usually they pretend to be American). TV series was a bit uneven (it tried admirably hard to be stylish, with off-beat lighting and shadows...even as it seemed to clearly be struggling with a meagre budget -- kind of reminiscent of Friday the 13th: The Series); the leads were quite good -- especially Schmid -- (though guest stars could be more uneveen) and the character dynamics/romantic triangle was generally effective, and the series' also boasted some clever and witty quips and bi-play. But the actual suspense-plots were up and down, often not that original or well developed. Part of the problem was that much of this ground had already been covered by previous supernatural series (this wasn't even the first series about a Toronto vampire detective!) -- heck, when it aired, it premiered around the same time as yet another vampire detective series, "Moonlight". And Blood Ties maybe never fully found its own distinctive corner of that particular genre to call its own -- with a lot of scenes seeming like we'd all been there before. (In the novels, some of the characters were supposed to be bi-sexual...but the series avoided those concepts; likewise, though overtly making references to Toronto street names, there was definitely a "soft" Canadianess to the show...in that, if you didn't know Toronto, you probably wouldn't realize it was set there...or even set in Canada!). Ultimately, for what works (the actors, the characters, some witty interplay) the series is enjoyable, while what doesn't work keeps it from being more than an okay watch. Best bets: the one about the fertility clinic; the one about the school for gifted children. Hour long episodes, shown in Canada on various CHUM affliates and Space |
BLOODKNOT *
1/2 setting: USA.
(1996) (/U.S.) Patrick Dempsey, Kate Vernon, Margot
Kidder, Krista Bridges, Allan Royal, Craig Sheffer, Kate Trotter.....A
duplicitous woman (Vernon) ingratiates herself with a wealthy American
family by pretending to be the girlfriend of their recently deceased son.
Suspenser suffers because, except for the climactic revelation, there are
absolutely no surprises or even much of a plot. Ironically, the film is
hurt by its lack of schlocky-ness: Vernon doesn't really do much that's
actually evil until near the end, leaving most of the film occupied with
bland "character" scenes. Funnily enough, the premise plays like a reverse
of another Montesi directed effort (but I can't say which without giving
too much away). Bridges, in particular, delivers a nice performance. sc:
Randy Kornfield. dir: Jorge Montesi. - partial female nudity, sexual content,
violence.- 98 min.
BLOODRAYNE: The Third Reich * 1/2 setting: other
(2010) (/U.S./Germany) Natassia Malthe, Brendan Fletcher, Clint Howard, Michael Pare, William Belli, Steffen Mennekes.....During W.W. II, half-human/half-vampire Bloodrayne (Malthe) and some resistance fighters take on Nazis who have latched onto the notion of using vampire blood to create super soldiers. Third of the video game inspired Bloodrayne films, each set in different eras (and the second with Malthe in the role). Director Boll has established a successful career, largely making movies based on video games (many Canadian co-productions)...and has also been frequently cited in critics' surveys of worst directors! Here, the exterior scenes can look decently budgeted...while interiors smack of shoe string cheapness; the movie has a few potentially interesting ideas (albeit it's in questionable taste referencing the Holocaust in such a frivolous forum) but, well, is pretty bad. The dialogue veers erratically from period formality to modern colloquialisms ("this sucks!"), the plot can seem a bit choppy (although, perhaps, not as incoherent as some of its ilk -- though the sword wielding assassins seem to make no sense) with the heroes (ie: Malthe and Fletcher) ill-defined and seem to have less screen time than the villains! Generally poor performances -- which you can blame on the actors, but equally the script and the direction (after all, Fletcher is otherwise an award-winning actor). Pare is okay as the Nazi vampire, and Malthe is pretty and, perhaps surprisingly in an action/horror flick, has a couple of sex scenes -- including a lesbian one! Laughably bad at times yet, at the same time, briskly paced enough that it avoids the stigma of being interminable -- making it perhaps a guilty pleasure. Malthe and Fletcher are Canadian, the others American and Croatian. Pare and Fletcher had appeared in the previous Bloodrayne film -- but as different characters. Filmed in Croatia. sc: Michael C. Nachoff. dir: Uwe Boll. - extreme violence, partial female nudity, explicit sexual content.- 79 min.
BLOODSUCKERS *
* 1/2
(2004) (/U.S.) Joe Lando, Dominic Zamprogna, Natassia
Malthe, Leanne Adachi, Aaron Pearl, A.J. Cook, Michael Ironside, Michael
DeLuise.....When the leader (Lando) of an intergalactic unit of vampire
hunters is lost, it falls to his novice second-in-command (Zamprogna) to
take charge...despite some of the others not trusting him. Sci-fi/action/horror
flick isn't "good" in a mainstream movie way, but in a low-budget/Roger
Corman/straight-to-video way...it's better than you'd expect. It's deliberately
over-the-top (to the point of camp) gory, but it's briskly-paced with a
kind of off-beat premise (including the idea that there are various species
of space vampires with different weaknesses and characteristics). The story
is barely more than rudimentary, little more than a series of action scenes
interrupted by scenes of character development and interpersonal conflict
-- but these too are told with energy, andd the characters, despite the
bickering, aren't an unlikeable bunch. Above all, the cast is pretty good,
elevating the material a notch. Not something that demands any serious
thinking, hence why you can easily shrug off its right wing undercurrent.
Top-billed American actor Lando (in a relatively small part), Cook and
writer-director Hastings used to work together on the socially earnest
TV drama Higher Ground! Actor-producer Peter
DeLuise -- son of Dom, brother of Michael (who appears towards the end)
-- has a bit cameo as a guy flogging a slaave. sc./dir: Matthew Hastings.
- extreme violence.- 99 min.
BLOWN AWAY *
1/2 setting: USA.
(1993) Corey Haim, Corey Feldman, Nicole Eggert, Jean
LeClerc, Gary Farmer, Kathleen Robertson.....Young man (Haim) working
at a resort becomes involved with a sexy young woman (Eggert) who wants
to kill her domineering father (LeClerc). Erotic film noire does the mood
thing -- y'know, where everyone talks real quietly and it takes forever
for anything to happen -- with an illogical plot and characterization.
LeClerc and Farmer do a respectable job, but the leads seem out of their
depth. Even the frequent amourous grappling gets tedious. sc: Robert Cooper.
dir: Brenton Spencer. - explicit sexual content, partial female and male
nudity, violence.- 93 min.
THE BLUE BUTTERFLY
*
* setting: P.Q./other
(2004) (/U.K.) William Hurt, Pascale Bussieres, Marc
Donato, Raoul Trujillo, Marianella Jimenez.....A boy dying of cancer
(Donato) persuades a reluctant entomologist (Hurt) to take him to the Costa
Rica jungle in search of an elusive butterfly the boy believes has mystical
properties. Well- intentioned drama never quite makes the mystical aspects
convincing, though (and without giving too much away) builds to a happy
ending. Hurt, Bussieres, and Trujillo (in a thankless part as a local guide)
are all good actors, but can all lean towards low-key, and director Pool
doesn't shake them up. The result is a movie that isn't bad, but
is a bit slow and somnambulant, and never quite springs to life, despite
the nice location scenery. Inspired by a true story, and doesn't mask its
Canadian origins (American Hurt even speaks a snippet of French as a Montreal
scientist). sc: Pete McCormack. dir: Lea Pool. 97 min.
BLUE CITY SLAMMERS
* * 1/2 setting: Ont.
(1987) Eric Keenlyside, Tracy Cunningham, Paula Barrett,
Barry Green, Murray Westgate, Gary Farmer.....Small town life is the
theme in this story of a woman's baseball team and the players' personal
lives. O.K. comedy/drama, though none of the characters are particularly
engaging...or likeable. sc: Layne Coleman, Peter Raymond (from Coleman's
play). dir: Peter Shatalow. - male nudity, sexual content.- 96 min.
THE BLUE MAN *
1/2
(1986) Winston Rekert, Karen Black, John Novak, Patty
Talbot, Andrew Bednarski, Vlasta Vrana.....TV-commercial director (Rekert)
experiments with astral projection but begins to worry when strange deaths
occur. Vaguely atmospheric thriller is boring and not very well done. Rekert
and young Bednarski, as his son, are O.K., but the supporting performances
are weaker. a.k.a. Eternal Evil. sc: Robert Geoffrion. dir: George
Mihalka. - violence.- 85 min.
BLUE MONKEY
* setting: USA.
(1987) Steve Railsback, Gwynyth Walsh, Don Lake, Susan
Anspach, John Vernon, Joe Flaherty, Robin Duke, Helen Hughes, Joy Coghill,
Sandy Webster, Phil Akin, Cynthia Belliveau, Ivan E. Roth (as the monster).....A
cop (Railsback), a doctor (Walsh) and an entomologist (Lake) work to stop
a giant man-eating insect while trapped in a quarantined U.S. hospital.
Often horror films don't have enough ideas, this one has too many, including
the monster bug, a killer plague, precocious orphans who save the day,
army units, horror violence, and comic relief sub-plots and characters.
Too bad it didn't work. Never scary or thrilling, nor very funny, with
direction and performances that seem...haphazard. Still, it's nice to see
one of these films where Canucks like Walsh and Lake actually get prominent
parts. Apparently the film was originally to be titled Green Monkey, but
there are no monkeys of any hue in it. Look for Sarah Polley as one of
the aforementioned orphans. sc: George Goldsmith. dir: William Fruet. -
extreme violence.- 98 min.
BLUE MURDER
* setting: Ont.
(1985) Jamie Spears, Terry Logan, Peter Brikmanis.....Reporter
investigates a serial killer who is murdering members of the city's pornography
industry. Shoe-string budget, predictable thriller with weak performances.
Filmed on video. An Emmeritus-CHCH production. sc: Charles Wiener, Geoffrey
Pilo. dir: Charles Wiener.
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(2001-2005) * * 1/2 Maria Del Mar ("Victoria Castillo") (-2nd), Joel Keller ("Ed Oosterhuis"), Jeremy Ratchford ("Jack Pogue") (-3rd), Mimi Kuzyk ("Kay Barrow"), Maurice Dean Wint ("Nathaniel Sweet") (2nd), Tamara Hickey ("Karen Gillam") (3rd), Benz Antoine ("Jim Weeks) (3rd-), Kari Matchett ("Elaine Bender") (4th), Tracy Waterhouse ("Ronnie Stahl") (4th), with David Eisner, Kathleen Laskey.....Mystery-crime series about a Toronto police detective unit, initially comprised of Del Mar, Keller, and Ratchford. Wint was added in the second season as a plain clothes Mountie who joined the squad as part of an exchange program. Kuzyk plays the deputy chief. Del Mar and Wint were gone by the third season and Hickey and Antoine added. Ratchford and Hickey were gone by the fourth season, and Matchett and Waterhouse added. Eisner crops up as the local medical examiner, Laskey a forensics expert. This TV series, in which the stories are usually mysteries, started out excruciatingly bad with some early episodes evincing truly dumb plots and even uncomfortable racial stereotypes, but quickly evolved into a generally competent whodunit series, though suffering from kind of uninteresting, uningratiating, hyper-macho lead characters. If the principals, male and female, were pumped full of anymore testosterone, their heads would explode! The series, generally, lacks a certain verisimiltude: it's hard to lose yourself in the characters and the scenes, everyone seeming to be acting their parts, rather than being them. Granted, cop shows have been so done to death over the years, it's hard to avoid seeming like a collection of stock cliches...but it can be done. But then, the rather non-descript concept (big city detectives) combined with the high turn over in cast/characters, made for a somewhat generic series. An interesting illustration of the topsy turvy, Alice in Wonderland world of Canadian TV is that it was announced that the series would be cancelled -- after the fourth a season was filmed but before it had aired. In other words, the same third season factors that encouraged executives to renew it for a fourth season (ratings, reviews, etc.) led them to cancel it, too! Huh?!? Best bets: an atypical one where they investigate, not a murder, but a suicide, evoking a kind of Wojeck-ian social earnestness. Created by Steve Lucas & Cal Coons. Four seasons of hour long episodes (about 12 per season) on CanWest Global. |
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