This was the umbrella title (or came to be the accepted title) for a 5 episode series of one-hour BBC Radio dramas from (I think) 2007 — whether they hoped to do more, or whether the one batch was all that was intended, I‘m not sure. Since the episodes go from the 1930s to the 1960s it‘s entirely probable they only intended these five. Anyway, writer Marcy Kahan imagines real life writer, actor, and bon vivant Noel Coward (played by Malcolm Sinclair) also acting as an occasional amateur detective and even spy (Coward did, apparently, do some work for British intelligence during WW II — though presumably nothing so dramatic). It’s all highly fictional, of course, but it’s obviously aimed at Coward aficionados, with supporting players like his assistants Lorn Lorraine (Eleanore Bron) and Cole Lesley (Tam Williams) and guest star characters often drawn from Coward’s real life circle of artists and celebritiy acquaintances.
Well performed by all and Kahan does capture a Coward-esque flavour to the milieu and the banter (even the opening credits tongue-in-cheekily introduce characters as Coward‘s “devoted” this and that). At the same time, like Coward’s work itself, it can often be clever…but that doesn’t mean it’s always laugh out loud funny. Of course that’s partly because, witty repartee aside, these are still mainly dramas. And the mysteries themselves, though perfectly okay, are unexceptional — often seeming as though the real point is just to hang with this (fictionalized) Noel Coward & friends and with the plots almost a secondary aspect!
Although essentially dramas (well, witty dramas) it might actually have benefited from a live audience who could chuckle at the dialogue…further evoking the sense of a Coward play.
For my money the best of the batch is the final — Our Man in Jamaica, with guest characters including Ian Fleming and Marlene Dietrich, and with Coward getting caught up in a plot with James Bond overtones. It’s the most fun because it deliberately takes itself the least seriously — more clearly a comic romp than the others which were more straight mystery-dramas but with Coward-esque badinage.
Ultimately a likeable, perfectly decent — and certainly well executed — series, but Coward fans are more likely to appreciate it than non-Coward fans (such as myself) for whom the characters and settings will have less resonance. The episodes include: Design for Murder, Blithe Spy, A Bullet at Balmain’s, Death at the Desert Inn. But, as I say, the one that most succeeded as an amusing romp was Our Man in Jamaica.