PERRY MASON

Earl Stanley Gardner’s lawyer-detective first came to audio life in a 1930s radio series — though with curious results, as it was done as basically a soap opera, with Mason — and the crime element — present, but apparently not always dominant. When it morphed into a TV series, Gardner even refused to allow them to continue using the name, and it became…The Edge of Night (a long running soap opera). That seemed to be it for decades as far as “official”* audio productions (*more on that in a moment) until:

2010 when the Colonial Radio Theatre started producing full cast, feature-length adaptations of the original novels. Though faithful to the books, fans of the popular (and arguably character defining) 1950s-1960s TV series with Raymond Burr might be a little surprised at this version of Perry — he’s flintier and more hard-boiled, and even more willing to bend the law. But they’re actually being true to the original books. And in other respects — fans of the TV series will feel right at home (same sort of cases, same supporting cast of Della Street, Paul Drake, etc.) as should fans of Gardner’s books.

They only made five (so far) which is too bad –’cause they’re highly enjoyable! That’s thanks, obviously in part, to simply sticking to Gardner’s original stories, with twists and turns, and also to a rapid fire pacing that never allows it to get dull (without feeling rushed or like the story is getting muddled by cramming it into the running time). And the lawyer-angle — as opposed to the hero being a cop or detective — gives the mysteries an extra twist, the cases often nicely convoluted, not just beginning with a body-in-the-library sort of thing.

Admittedly, at times the performances can seem a bit like actors in a community theatre — a talented community theatre, but still not quite top drawer stuff. Though Jerry Robins — who also directed — was effective as Perry. But although I’m saying some of the performers were a bit uneven…it was still perfectly good and despite a hard boiled Perry, equally evocative of the TV series (with the audio Paul Drake even sounding like TV‘s Drake). They CDs are well worth tracking down. The plays: The Case of The Sulky Girl, The Case of The Howling Dog, The Case of The Luck Legs, The Case of The Velvet Claws and The Case of The Curious Bride.

There’s one final — unofficial — addition to Perry Mason-in-audio: a few audio tracks of the popular, seminal TV series starring Raymond Burr sometimes float about the internet, popping up on Old Time Radio sites, though not official “audio” productions. The ones I’ve come across are The Case of The Angry Mourner, The Case of The Silent Partner, The Case of The Drowning Duck and The Case of The Restless Redhead. Because these are just the TV soundtracks, some of the action will be a bit confusing (as dramatic music plays and you aren’t sure what the actors are doing) but the talky nature of the Mason scripts means they still work surprisingly well, benefiting, of course, from the good scripts and from hearing the signature and fondly recalled actors in the roles. The Silent Partner perhaps suffers the most from the lack of visuals (a few scenes where action is occurring) but even it you can follow, and the others are surprisingly effective as audio dramas.

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